Miniature paint brushes – What do you recommend? – OnTableTop – Home of Beasts of War (2024)

lloyd

Keymaster

17726xp

Hi all,

What would be your go to range of paint brushes for miniature painting?

I have one go to brush that Romain gave me years ago that use I all the time:

Raphael Martre Kolinsky 8413

https://www.raphael.fr/Kolinsky-8413_fiche_52.html

It’s great but it won’t last forever, so I’m wondering what ranges/set you lot in the community would recommend people take a look at when shopping for paint brushes.

Cheers.

seldon9

12954xp

I found good paint brushes to be the right sort of price for a Christmas gift. So I usually get my family to buy me a new set every year.

I’ve used Raphael 8404, Rosemary and Co, W&N Series 7, Redgrass Games and this year I got Artis Opus. I normally go with sizes 0-2 and get an extra small if they make them.

Honestly they’ve all been good. Frankly my brush care has been the critical factor in how long they lasted.

If I had to choose just one of them my Raphael 8404 size 1 has stood up best to my care. I’ve used it very roughly with metallics and washes and it still forms a point. While I’m mainly using my latest brushes I still go back to that Raphael brush for the awkward stuff I don’t want to use my nice brushes on.

orlandothetechnicoloured

Participant

4380xp

As well as the Raphael’s i’d check out

Windsor Newton series 7 range https://www.winsornewton.com/uk/brushes/watercolour-brushes/series-7-kolinsky-sable-brushes/,

and Rosemary & Co series 33 https://www.rosemaryandco.com/oil-brushes/pure-kolinsky-sable-oils/pure-kolinsky-pointed

my personal go to

(or series 99 https://www.rosemaryandco.com/watercolour-brushes/pure-red-sable/pointed-pure-red-sable slightly cheaper still)

all of these ranges are good quality brushes you should be able to get hold of via art shops or online

kolinsky sable is the highest quality natural hair for brush making so other ranges made of it should also be decent (but who made it also matters and I know the ones above are good)

I’ve also heard good things abot https://www.wampstore.com/store/index.php?route=product/category&path=191

amachan

25655xp

I’m a fan of the Raphael 8404s and the Broken Toads because they hold a good point and have a good belly. If you want a bit less of a belly or a less expensive brush than the Rosemary & co Series 33 (Pure Kolinsky Sable) are also really good.

https://www.brokentoad.co.uk/
https://www.rosemaryandco.com/watercolour-brushes/pure-kolinsky-sable/pure-kolinsky-pointed

However, for metallics I use whatever synthetic brush I can find, currently using an Army Painter one and some AK Interactive ones. They aren’t great, but at least it keeps your sables last a bit longer if you don’t use metallics in them.

torros

23802xp

I just buy a set when I need them . Usually about £14 for 8 or 9. Do the job ok

This was the last lot. They were £12

timchubb

Keymaster

3166xp

@lloyd id say stick with raphael i love mine, cheapest place in uk for them ive found is https://www.greatart.co.uk/selected-brands/sennelier-raphael/raphael-brushes/

also heard there’s a store not far from you which has quite a few good products for hobbying, if you ask nicely they might let you try before you buy

Home

😉

phaidknott

7014xp

Actually if you are painting using acrylics (or enamels) then sable (and other natural hair) brushes are NOT recommended. Acrylic paints wreck natural hair brushes over time (and they don’t like being overly damp, as when you clean the brush in water), and you’re much better off using decent quality synthetic brushes instead.

Sable Brushes are good for using oils, watercolours. But in this case spending that extra isn’t going to reap you rewards. A lot of the time synthetic brushes get a bad reputation because the painter has bought cheap “hobby” brushes (which have trouble keeping a fine point). But spending a little extra for artist grade synthetics will get you a good brush that will last longer (and keep it’s point) than it’s natural hair equivalent 🙂

timchubb

Keymaster

3166xp

blinky465

17025xp

I discovered Pro Arte Renaissance brushes (I think it’s their water colour range?) – the ones with the green handles. One of their number 2 brushes does about 90% of all my painting now – even on 15mm stuff.

Nice big belly to hold lots of paint, keep their tip for ages, an absolute joy to paint with.

W&N Series 7 are really nice to paint with too – but they are really expensive and don’t actually hold all that much paint (their profile is more like a “cone shape” rather than the stereotypical cartoon paintbrush shape). A big brush with a big belly and a sharp point is far more enjoyable to use than even a W&N with a tiny point but you have to keep going back for more paint every few strokes!

amachan

25655xp

It is true that sables wear out more with acrylics than they do with watercolours or oils. But, if you only use them with water-based non-metallic acrylics and clean them well after use, they can still last you a long while. The biggest problem with synthetics vs. sable with me is that synthetics don’t hold moisture nearly as well as sables do, it’s just the nature of the material. Well made synthetics will therefore hold their point a lot longer than sable does. One thing I have at one point been thinking about is mixed brushes with both synthetic and sable in it, like the series 401 from Rosemary & Co.

https://www.rosemaryandco.com/acrylic-brushes/red-sable-blend-acrylic/pointed-sable-mixture

The reason why I won’t recommend sables with metallics is that metallics have tiny metallic particles in them. Some brands have bigger ones than others, but still. This wears out the point of brushes really quickly and I will always recommend using cheap brushes for this, preferably synthetics as they do withstand this a lot longer.

seldon9

12954xp

phaidknott

7014xp

There’s no preferred synthetic type of brush (you can get different types of synthetic fibres and even a mix of synthetic and natural fibres), for keeping paint on the brush it’s more to do with the brush shape more than the fibres used (typically the classic “bell” shaped brush is good for this as the bell forms a reservoir for the paint. If you get a “liner” style of brush then you will be going back to to the paint pot for more paint (but you gain more control for doing things line panel lines). However cheap hobby brushes (with plastic handles) shed bristles and amost come as new with no point to the brush head

The “set” Torros showed is typically the type of thing I’d pick up personally (along with a couple of extras with the liner style of brush head). Acrylics at the end of the day is a form of “plastic”, so it adheres to natural fibres (while it has a harder time bonding with the synthetic fibres).

I’d say you get more difference for your painting from how you use it, then the expense and technology of the brush. Some people prefer thin paintbrush handles, while other like a thicker style (like the pear shaped ones Torros posted and image off). But even if you still like and prefer the expensiveRaphael brands, you can still buy synthetic brushes from them.

And as Timcubb said copious amounts of brush care can extend the life of any brush and you can put it through hell and high water. However I just use a cheaper brush and clean normally with water (cheaper brushes mean you don’t have to be as fastidious about caring for them). But at the end of the day I don’t feel the sable brushes deliver a superior end result based purely on the fact they use Sable/Natural fibres (that’s more down to the talent of the painter).

craigwrdouglas

2306xp

I use Roubloff (Kolinsky) 101F’s with the narrow reservoir for edge highlighting (typically #1) and the 111F brush range for general paining base colours, details and shades. I think they are great, but I’ve never seen anyone else use them.

Citadel is my goto for drybrushes and I use the Humbrol stippling brush pack.(they are decent and cheap).

ninjilly

Participant

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lloyd

Keymaster

17726xp